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Q&A with Natasha Tripney

Friday 27 June, 2008

Interview about UNSTATED at Southwark Playhouse with Natasha Tripney for MusicOMH.com, in which I give some background to the show and talk about its political aspirations.

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Opening Access

Thursday November 15, 2007

Sofie Mason article in The Stage quoting my arguments for a more inclusive theatre funding culture.

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Enlightening Entertainer

Wednesday August 01, 2007

Society Guardian interview about Mehndi Night and my other community work.

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My Big Break

Tuesday March 27, 2007

Guardian feature by Maddy Costa about my career so far.

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39th John Whiting Award Presentation Speech

Thursday October 27, 2006

A plea to keep the award going, from a young playwright whose life it changed.

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In Defence Of Pirate Radio

Tuesday August 01, 2006

A response to Mark Flanagan's article in The Stage, July 31st edition, page 30

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West End Story

Tuesday May 9, 2006

The Legacy of John Osborne's Look Back in Anger. (I didn't write this, I just get a mention).

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'We're taking a risk just by writing for the stage'

Wednesday March 15, 2006
The Guardian

Theatre directors are calling on young playwrights to be more ambitious. Hang on, says Fin Kennedy - we're not the ones who lack vision

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Teacher wins coveted prize for the play that theatres turned down

Friday February 24, 2006
The Times

By Dalya Alberge, Arts Correspondent

A TRAINEE teacher followed in the footsteps of Tom Stoppard and Edward Bond yesterday by winning one of the most coveted theatre writing awards in Britain — for a play that was turned down by every theatre in London.

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'Ditch the mumbling smackheads!'

Wednesday January 7, 2004
The Guardian

We asked Britain's leading young playwrights what's wrong with UK drama - and how they plan to fix it.

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A sympathetic ear

Wednesday June 25, 2003
The Guardian

By Raekha Prasad

Fin Kennedy spent three months talking to members of a profession more usually talked about. Hours of taped conversation - every pause and cough - were transcribed meticulously. At the end, he was left with 10 accounts by voices rarely sought, describing work rarely understood.

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Interview with Sarah Dickenson of writernet

March 2006

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