
Small flat in Manchester, New Age décor.
Leftovers from a meal for two.
Angela and Jeff having after-dinner drinks, Angela smokes a spliff.
Jeff Manchester accent, dreadlocks, rolls another. |
Angela |
And his mother right – God I hate her, the bitch – his mother only goes and tells him on his birthday doesn’t she? |
Jeff |
That’s heavy shit. |
Angela |
Fucking tell me about it. So its suddenly clear to the poor kid why his Dad’s been such a non- entity for the past two years – his Dad, who’s now not his Dad any more - |
Jeff |
How old is he? |
Angela |
Fifteen. I mean if she’d just worked with us ‘stead of bloody fighting us every step of the way – I mean he’d have to have found out soon anyway, he’s getting to that age – |
Jeff |
Sorry – you got anything I can roach? |
Angela |
Yeah, hang on. |
Angela |
rummages in her bag. |
She unearths various things, including the GPS handset from Scene Five. |
Angela |
But anyway, she has to go over our heads and whack him with it on his birthday. I mean no wonder the poor kid’s off his head all the time smashing and burning shit, no fucking wonder – I mean the mind boggles that you’ve got parents out there that can - |
Jeff |
Finish the bottle? |
Angela |
Yeah cheers. |
Jeff tops them up. He notices the GPS. |
Jeff |
What’s that? |
Angela |
(still rummaging) Oh, a – you know, one of those – it’s a Star Trek thing, tells the office where I am. |
Jeff |
Oh. Why? |
Angela |
I dunno. Protection. So anyway the call comes in from the police that he’s nicked off from the home and they’re all out there – ‘cos we sort of do that, sort of let the police do the running around – and ‘course the first place they look is round his foster parents, and of course he wasn’t there, but d’ya know what they found? |
Jeff |
He hadn’t burned it down again had he? |
Angela |
No, worse. A torn up guinea pig. |
Jeff |
What? |
| Angela |
He had this guinea pig. Harold or Harvey or something. Dad got it him for his birthday. Tore it up. |
| Jeff |
What - |
| Angela |
Yeah. |
| Jeff |
You mean like – |
| Angela |
Yeah. Legs, head, tore it up. |
| Jeff |
Oh, man. |
| Angela |
I know. |
| Jeff |
A real guinea pig? |
| Angela |
Yup. |
| Jeff |
That is … fucked. |
| Angela |
This is not a happy child. |
| Jeff |
God, I can’t get it out of me head. |
| Angela |
So thank fuck I mean thank fuck he turns up here – he’s got an auntie here or summing – ‘cos he’s fifteen and – and – and despite everything – two years of working with the kid and he’s still out of control. It’s useless. |
| Jeff |
Oh mate. ‘Course it’s not. Stoppin em getting worse – that’s progress int it? |
| Angela |
Well. Thanks. Here. |
| Angela has found what she was looking for and hands Jeff the legislative document that Dawn gave her in Scene One. |
| Jeff |
Cheers. |
| Jeff begins tearing it up for the spliff. |
| |
What is this? |
| Angela |
Children Act 1989. Anyway, next morning – like this morning - there’s the letter. And it’s all there. The abuse. Years of sexual abuse from the maternal grandfather. Anyway, that’s how it all comes out isn’t it, in arson and pill-popping and – and – and fucking pet murder. I mean I believe him, frankly I believe him, it explains so much. But Dawn right, Dawn, that’s the bald one, she’s alright when you get to know her is Dawn, anyway Dawn reckons it’s revenge tactics from Adam – sorry, shouldn’t mention names, you didn’t hear that - |
| Jeff |
Yeah, man. |
| Angela |
She reckons it’s malicious to get at Jackie for - |
| Jeff |
That’s the Mum? |
| Angela |
That’s the Mum – to get at Jackie for the revelation about the affair. I mean you couldn’t fuckin make it up. |
| Jeff |
But I mean Ange, right – how are you gonna convince him to go back down with ya? |
| Angela |
Oh I’ve got his number. I’ll talk him round. Don’t worry about it. This is what I do. |
| Jeff |
You have a mad job. |
| Angela |
Fuckin tell me about it. |
| Jeff |
No I don’t mean it bad, like. Just stress, man. You gotta learn to let it go. |
| Angela |
How? You tell me how. My life’s not me own. |
| Pause. |
|
| Jeff |
It’s good to see ya. |
| Angela |
Yeah, you too baby. It’s been too long hasn’t it? |
| Jeff |
Yeah. Life gets in the way don’t it? |
| Angela yawns. |
| Angela |
God, I’m suddenly wasted. |
| Jeff takes the spliff off her. |
| Jeff |
Hey. You’ve got a hell of a day tomorrow. I made up the spare room. |
| Angela |
Oh, you’re lovely. |
| Jeff |
Might smell of paint a bit, had all me materials in there. |
| Angela |
Oh and you moved them all? For me? Ah, Jeffy. |
| Jeff |
S’alright. |
| Angela |
God. I’ve whinged on about work all night haven’t I? I’m sorry. How’s things with you? |
| Jeff |
It’s alright. Yeah it’s alright. Exhibition and that comin up. Sold a few. |
| Angela |
Ah nice one. Good for you. Yeah this kid paints a bit. He’s good, been trying to encourage him. |
| Jeff |
Hey Ange. |
| Angela |
What? |
| Jeff |
Forget about him. |
| Angela |
Oh. Yeah. God I’m so sorry. |
| Jeff |
It’s alright man. You should crash. Chill out an that. |
| Angela |
Yeah. |
| Pause. |
|
| |
You, er, you hitting the sack? |
| Jeff |
Yeah. Y’alright for T-shirts an that? |
| Angela |
Yeah. Don’t wear anything these days. Au naturelle, you know. |
| Jeff |
Right. I’ll er – I’ll - |
| Angela |
Jeff. |
| Jeff |
What? |
| Angela |
I’ve been screwing my boss. |
| Jeff |
Oh. (Pause) Not that bald woman? |
| Angela |
No. Her boss. |
| Jeff |
Oh. |
| Angela |
And it’s a disaster. Everything’s just a disaster. |
| Jeff |
Oh dear. |
| Angela |
I’m gonna have to quit. (tearful) I’m gonna have to quit my job. |
| Jeff |
Is it that bad? |
| Angela |
Yeah. I don’t know what I was thinking of. We’re chalk and cheese. He’s my complete opposite. He’s your complete opposite. I hate him. There’s just something … animal there. I can’t stop fucking him. |
| Pause. |
|
| Angela |
How do you feel about that? |
| Jeff |
Erm. Well. It’s a pity it’s gone that far. Innit. |
| Angela |
I mean, how do you feel? |
| Jeff |
I don’t get ya. |
| Angela |
Does it make you jealous? |
| Jeff |
Oh. No. Not any more. |
| Angela |
Oh. (Pause) Jeff? |
| Jeff |
Yeah? |
| Angela |
Can I … can I come in with you tonight? |
| Pause. |
|
| Jeff |
Ange … |
| Angela |
Just like we used to. Just like old times. |
| Jeff |
Ange, I can’t. |
| Angela |
Jeff. Make love to me. Tonight. Please. |
| Jeff |
Ange. It’s not like that now. It’s not. Stuff’s … changed. I’m sorry. |
| Angela begins to cry, quietly. |
| Angela |
Then just … just love me. Please. |
| Jeff goes to her, hesitantly. Angela clutches him. |
| Jeff |
Hey. Ange. Ange, man. |
| Angela |
I can’t do it anymore. I can’t do it. Every day … all the time … the knives are out … and I just … I just don’t have the strength. |
| Jeff |
Hey. C’mon. You’re the strongest I’ve ever met. If you can’t do it, no-one can. |
| Angela continues to cry. |
| Jeff |
One last time. |
| Angela |
What? |
| Jeff |
For this boy. Tomorrow. |
| Angela |
Oh. |
| Jeff |
You’re all he’s got. |
| Angela |
Just love me, Jeff. Just love me. |
| Beat. |
|
| Jeff |
I do love you, Ange. I do. |